HOUSING

VILLA ON THE WATER IN LOOSDRECHT

MODERN VILLA CS

VILLA WAALRE

MODERN VILLA HASSELT

MODERN VILLA ROELOFARENDSVEEN

RURAL MODERN VILLA IN OISTERWIJK

ESTATE HOUSE IN THE EAST OF THE NETHERLANDS

RURAL MODERN VILLA ZEELAND

VILLA OISTERWIJK

Troy Hill Villas Saba

MODERN VILLA ENSCHEDE

RURAL MODERN FARMHOUSE YELLOW

RURAL MODERN VILLA HEUSDEN-ZOLDER

MODERN VILLA IN NETHEN

RURAL MODERN VILLA TEXEL

MODERN VILLA LEEUWARDEN

MODERN VILLA IN LOOSDRECHT

RESIDENTIAL HOUSE IN MUIDEN

COUNTRY HOUSE HEELWEG

VILLA AALST-WAALRE

MODERN VILLA BOSCH AND DUIN

VILLA KENNEMERLAND

VILLA WAALRE

MODERN THATCHED VILLA ATTIC

Classic modern villa in Zeist

Rural modern thatched villa in Naarden

RURAL MODERN VILLA KORSPEL

VILLA LM

Modern Classics
We design architecture that is rooted in the principles of modernism and reinterprets these principles for the times in which we now work. Our buildings are clear, precise, and rationally constructed, but always designed with attention to space, use, and experience. We call them "Modern Classics."

The classic foundation
Our design mentality has its origins in the modern architecture of the early 20th century. This tradition focuses on clarity, functionality, and constructive logic. Architecture is constructed in a legible manner, follows a clear structure, and is inextricably linked to its location. This classic modernist approach forms the foundation for our work. A rational structure, a clear relationship between form and function, construction as an organizing principle, and a natural cohesion between building and landscape. These principles are timeless and form the basis on which we continue to build.

The modern floor
Where early modernism can sometimes be austere and abstract, we enrich this foundation with influences from Latin Modernism and Japanese design philosophy. These bring warmth, nuance, and sensuality to the design.
From Latin Modernism, we take the spatial openness and the fluid relationship between inside and outside. Buildings are not seen as closed objects, but as spatial structures in which light, air, and use can move freely. Transitions are spacious, sheltered, and inviting.
From Japanese philosophy, we draw precision, restraint, and attention to emptiness and detail. Designs are created through reduction and refinement. What we leave out is just as important as what we add. Space, transition, and silence take on meaning.

 

Tension as a force
Our architecture arises from the tension between these influences. The clarity and discipline of classical modernism provide structure and durability. Latin and Japanese influences soften this framework and bring humanity, tranquility, and spatial layering.
The result is architecture that is rational without being cold, and warm without being noncommittal. Buildings that feel natural, but have been carefully thought out.

Timeless and contemporary
We design buildings that are guided not by trends, but by principles. Architecture must function today and remain relevant for decades to come. Materials may age, wear and tear may be visible, and buildings may grow with their surroundings.